Chinese Painting Pigments: High-Quality Colors for Artists

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Traditional and Modern Chinese Painting Pigments

Traditional and Modern Chinese Painting Pigments

Hangzhou Poezie Stationery Co. Ltd. provides Chinese painting pigments. The traditional ones come in flake, block, or powder forms, sourced from natural plants and minerals like cinnabar, azurite, and malachite. Synthetic counterparts usually come in tubes. The color palette is extensive, with basic hues like red, yellow, and blue, and different shades. For instance, azurite has distinct grades. Some natural pigments require gluing before use, and mastering pigment mixing and layering is key to realizing artistic visions.
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Advantages of the product

Rich Color Spectrum

The product offers a wide variety of colors, including basic hues and different shades such as the various grades of azurite, meeting diverse artistic requirements.

Customized Solutions

The company’s focus on innovation allows for customized color solutions, enabling artists to achieve their unique creative visions.

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Selecting optimal art pigments requires a systematic evaluation of technical specifications, application needs, and aesthetic goals, and Hangzhou Poezie Stationery Co. Ltd. provides professional guidance through its expertise as a leading pigment manufacturer. Begin by defining the painting medium: watercolor pigments should have high dispersibility (Poezie's watercolor pigments feature a dispersion index >95%), while oil pigments require excellent oil absorption (40-60 g/100g for Poezie's oil-based formulations). Evaluate color performance metrics: hue accuracy (measured by ΔE <1.5), saturation (achieved through 99% pure pigment concentrations), and lightfastness (Poezie's pigments score 7-8 on the Blue Wool Scale). For traditional Chinese painting, prioritize natural mineral pigments like those in Poezie's Traditional Watercolor Series, which contain no synthetic binders and maintain cultural authenticity. Contemporary artists may prefer specialty pigments, such as pearlescent (with 2-5μm mica platelets) or chameleon pigments (angle-dependent color shift of 30-40nm), available in Poezie's innovative collections. Consider environmental factors: all Poezie pigments are certified non-toxic (complying with ASTM D-4236 and EN71-3) and use eco-friendly binders. For custom projects, leverage Poezie's R&D capabilities to create pigments with specific properties, such as heat resistance (up to 200°C) or fluorescence. Request pigment samples (Poezie provides 5g trial packs) to test on target substrates like rice paper, canvas, or wood. For personalized consultation on selecting art pigments tailored to your artistic needs, please contact our color specialists.

common problem

What materials are traditional Chinese painting pigments made of?

Traditional Chinese painting pigments are made of natural plants and minerals. For example, cinnabar, azurite, and malachite. There are also synthetic ones, which usually come in tube form.
Each basic color has multiple shades. For instance, azurite has four different grades: top - grade azurite, second - grade azurite, third - grade azurite, and fourth - grade azurite, providing more choices for artists.
Absolutely. Whether it's traditional Chinese painting or modern art, these pigments offer rich colors and various forms, enabling artists to create unique artworks.

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User evaluation of the product

loela

The Chinese painting pigments are a joy to work with. The colors are rich and the texture of the natural pigments is unique. Although some require gluing before use, it's worth the extra effort as the final results are stunning. Will definitely buy again.

smird

I've tried many Chinese painting pigments, but these stand out. The range of forms, from blocks to tubes, caters to different painting techniques. The color depth and the ability to mix and layer them are excellent. A must-have for any Chinese painting enthusiast.

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Environmentally Friendly

Environmentally Friendly

Aligned with the corporate philosophy, the pigments are environmentally friendly, reducing the impact on the ecosystem during production and use.
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